Luka Naujoks, Mara Jenny, Nele Gräber, Hava Erica Zeytin

Ponytail

Project Info

  • 💙 Berlin, Germany
  • 💚 Federica Nicastro & Meii Soh
  • 🖤 Luka Naujoks, Mara Jenny, Nele Gräber, Hava Erica Zeytin
  • 💜 Meii Soh and Federica Nicastro
  • 💛 Photo: artrepros.de

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Ponytail, Installation view at Hours, Berlin, 2026
Ponytail, Installation view at Hours, Berlin, 2026
Luka Naujoks, Flash Art Paintings, 2026
Luka Naujoks, Flash Art Paintings, 2026
Nele Gräber, 3. Untitled (rodeo II), 2025
Nele Gräber, 3. Untitled (rodeo II), 2025
Ponytail, Installation view at Hours, Berlin, 2026
Ponytail, Installation view at Hours, Berlin, 2026
Mara Jenny, untitled, 2024
Mara Jenny, untitled, 2024
Exhibition text by Meii Soh & Federica Nicastro.jpg
Exhibition text by Meii Soh & Federica Nicastro.jpg
Ponytail, Installation view at Hours, Berlin, 2026
Ponytail, Installation view at Hours, Berlin, 2026
Ponytail, Installation view at Hours, Berlin, 2026
Ponytail, Installation view at Hours, Berlin, 2026
Mara Jenny, Ariana, 2024
Mara Jenny, Ariana, 2024
Ponytail, Installation view at Hours, Berlin, 2026
Ponytail, Installation view at Hours, Berlin, 2026
Ponytail, Installation view at Hours, Berlin, 2026
Ponytail, Installation view at Hours, Berlin, 2026
Hava Erica Zeytin, counting follicles, 2026
Hava Erica Zeytin, counting follicles, 2026
Ponytail unfolds as an inquiry into forms and signals of concentration, one where the gesture of tightening long hair turns into a declaration of focus, introspection, and coded girlhood. Drawing from hinted archetypes circulating around the internet and intimate storytelling, Ponytail shapes a space where readiness meets softness. The act of gathering hair is approached as an embodied initiation into attention, historically and culturally entangled with expectations around femininity. Rather than stabilising this symbol, the gesture is treated as speculative. The exhibition brings together works by Mara Jenny (Wien), Luka Naujoks (Berlin), Nele Gräber (Berlin), and a text by Hava Erica Zeytin (Berlin) each navigating one’s own day-to-day materials and gestures as carriers of inwardness. Across the space, mirror-like surfaces, the display of pop icons, and non-human memories generate moments of recognition and estrangement.
Meii Soh and Federica Nicastro

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