
Nadja Abt, Orawan Arunrak, Wisrah C. V. da R. Celestino, Paula Hoffmann, Raul Walch
DISLOCATIONS—on the spot
Project Info
- 💙 Kunst Raum Mitte
- 💚 Natalie Keppler, Agnieszka Roguski
- 🖤 Nadja Abt, Orawan Arunrak, Wisrah C. V. da R. Celestino, Paula Hoffmann, Raul Walch
- 💜 Natalie Keppler, Agnieszka Roguski
- 💛 Jannis Uffrecht
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DISLOCATIONS—on the spot, 2025, Installationsansicht, Kunst Raum Mitte. Foto: Jannis Uffrecht
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Archival materials of galerie weisser elefant. Photo: Jannis Uffrecht

Nadja Abt, SÃO PAULO – Archive, Cine Arouche, 2018. Photo: Jannis Uffrecht

Wisrah C. V. da R. Celestino, Belonging, 2022/2025. Photo: Jannis Uffrecht

Wisrah C. V. da R. Celestino, Belonging, 2022/2025. Photo: Jannis Uffrecht

Orawan Arunrak, Berlin – Bangkok, 2023. Photo: Jannis Uffrecht

Orawan Arunrak, Berlin, 2023. Photo: Jannis Uffrecht

Orawan Arunrak, Broken key with poem, 2023. Photo: Jannis Uffrecht

Orawan Arunrak, Clock (0), 2023. Photo: Jannis Uffrecht

DISLOCATIONS—on the spot, 2025, installation view, Kunst Raum Mitte. Photo: Jannis Uffrecht

DISLOCATIONS—on the spot, 2025, installation view, Kunst Raum Mitte. Photo: Jannis Uffrecht

Paula Hoffmann, installation view Kunst Raum Mitte, 2025. Photo: Jannis Uffrecht

Paula Hoffmann, SGW_03 (Bauteilchen_03), 2024. Photo: Jannis Uffrecht

Nadja Abt, Sex & The City – Ruhrpott Archive (II–XVII), 2022/23. Photo: Jannis Uffrecht

Wisrah C. V. da R. Celestino, Gift, 2024/2025. Photo: Jannis Uffrecht

Wisrah C. V. da R. Celestino, Gift, 2024/2025. Photo: Jannis Uffrecht

Archival materials of galerie weisser elefant. Photo: Jannis Uffrecht

Raul Walch, Should I Pay or Should I Go, 2025. Photo: Jannis Uffrecht

Raul Walch, Should I Pay or Should I Go, 2025. Photo: Jannis Uffrecht
The exhibition on the spot marks the beginning of the third sequence of DISLOCATIONS. The program’s protagonists are Auguststraße and the adjacent Scheunenviertel neighborhood in Berlin’s Mitte district. Once considered a symbol of social decline and ongoing modernization in the GDR, the area surrounding Kunst Raum Mitte is now synonymous with luxuriously renovated buildings, rapid gentrification, and commercial galleries. These changes are explored directly — on the spot — as processes of exploitation and displacement that have shaped the urban space since the 1990s.
How can a communal gallery tell the story of displacement and relocation as part of its own history? What artistic, performative, and political potentials are mobilized in the process? The works formulate contemporary positions and artistic strategies for resisting spatial forms of appropriation and structuring. They are placed in dialogue with archival material from the galerie weisser elefant — newspaper articles and flyers from the 1990s and 2000s that relate the transformation of the neighborhood to gallery events — to explore the speculations and fictions with which a place is charged.
Natalie Keppler, Agnieszka Roguski