
Vivian Caccuri, Andressa Cantergiani, Maurício Ianês, Daniel Lannes, Cinthia Marcelle & Tiago Mata Machado, Ana Mazzei, Ventura Profana, Luiz Roque, Tadáskía, Allan Weber
THE DISAGREEMENT: A THEATRE OF STATEMENTS
Project Info
- 💙 Neuer Kunstverein Wien
- 💚 Bernardo José de Souza
- 🖤 Vivian Caccuri, Andressa Cantergiani, Maurício Ianês, Daniel Lannes, Cinthia Marcelle & Tiago Mata Machado, Ana Mazzei, Ventura Profana, Luiz Roque, Tadáskía, Allan Weber
- 💜 Bernardo José de Souza
- 💛 © kunst-dokumentation.com / Manuel Carreon Lopez @kunstdokumentationcom
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Allan Weber, Novo Balanço series, 2024 / Maurício Ianês, Dirty Value, 2024 / Ventura Profana, How Deep is the Ocean, 2024

Allan Weber, Novo Balanço series, 2024 / Vivian Cacurri, The Weeping Dancer, 2023

Vivian Cacurri, The Weeping Dancer, 2023

Vivian Cacurri, The Weeping Dancer, 2023

Ventura Profana, How Deep Is the Ocean, 2024

Tadáskía, From the rock, living water, 2023 / Fire from heaven, 2023

Tadáskía, Golden line (from Curve), 2019

Ana Mazzei, Cena Do Anoitecer, 2023 / Caverna, 2023 / Dedo, 2023 / Flag, 2019 / Concha, 2023 / High Heel, 2023 / Torre, 2023

Ana Mazzei, Torre, 2023 / Ana Mazzei, Dedo, 2023

Daniel Lannes, O Adulto, 2021

Maurício Ianês, Dirty Value, 2024

Maurício Ianês, Dirty Value, 2024

Cinthia Marcelle and Tiago Mata Machado, O século / The Century, 2011

Luiz Roque, S, 2017

Andressa Cantergiani, Felina, 2021/2024
The shattered grounds of today's ideological debate conjure up a platform where distinct actors
convey their respective monolithic discourses despite other concurring voices, as if a sovereign
language were being used to depict unidimensional views of a multi-layered reality. Altogether,
such narratives amount to nothing but a misleading hegemonic façade: social, political, and moral
constructs informed by a colonial drive irrevocably oblivious to the existence of diverse symbolic
and material backgrounds.
This exhibition operates as an apologue of sorts, a conversation between artworks through
myriad avenues of communication leading to otherwise unheard narratives—a “performative
contradiction” aimed at deconstructing ontologies of power devised to establish a single
discursive channel, one that prevents other social choreographies to take central stage at the
public arena.
Depending on the symbolic economies we face, the world appears differently, as an everchanging
virtual realm, albeit the existence of a never to be dismissed, unifying political ground:
the all-encompassing though uneven battlefield for control over language and historical
narratives.
"The Disagreement: a Theatre of Statements" brings together eleven contemporary Brazilian artists
whose artistic practices emerge from the most diversified cultural backgrounds, thus pointing at a
wide horizon of aesthetic and political preoccupations.
The ensemble of artworks in this exhibition is not only revealing of Brazil’s both stratified and
syncretic society but also of the ideological contradictions inherent to contemporary artistic
practices on a transcultural perspective. Comprised of artworks created in different media—
sculpture, installation, collage, video, painting, and performance—, this group show confronts
narratives that reflect upon the impossibility of finding a common lexicon with which to debate
inescapable timely issues such as class struggle, climate change, identity politics, heterogeneous
belief systems, the legacy of symbolic and material culture, amongst other pressing matters.
Bernardo José de Souza