Archive 2021 KubaParis

Saliera

Laurence Sturla, Office Notebook (daily bouquet) 7
Laurence Sturla, Office Notebook (daily bouquet) 7
Erik Haugsby
Erik Haugsby
Laurence Sturla, Office Notebook (daily bouquet) 4
Laurence Sturla, Office Notebook (daily bouquet) 4
Julia Goodman, Failure to Lunch
Julia Goodman, Failure to Lunch
Erik Haugsby
Erik Haugsby
Laurence Sturla, Office Notebook (daily bouquet) 5
Laurence Sturla, Office Notebook (daily bouquet) 5
Erik Haugsby
Erik Haugsby
Karoline Dausien, Thrombo Ass (Salzamt), 2021, textile, PVC, foam, stretcher
Karoline Dausien, Thrombo Ass (Salzamt), 2021, textile, PVC, foam, stretcher
Karoline Dausien, ORAFO 21, 2021, glazed ceramics, steel, mirror, flacons
Karoline Dausien, ORAFO 21, 2021, glazed ceramics, steel, mirror, flacons

Location

Salzamt

Date

25.05 –23.06.2021

Curator

Julian Turner

Photography

Julian Turner

Subheadline

Karoline Dausien, Julia Goodman, Erik Haugsby, Laurence Sturla

Text

To comply with Covid distancing rules, some tables at Salzamt must remain free. The restaurant’s architect, Hermann Czech, made very efficient use of the space. While these tables may not host people, they can still support objects. So I initiated a festival of small sculptures. It is named Saliera, after the epitome of table sculptures, a gold-and-ebony salt container commissioned by Francis I of France. This receptacle, apparently called a salt cellar in English, is on display at Vienna’s Kunsthistorisches Museum. This wasn’t always the case though, it was abducted for some time. Salt was once Austria’s most precious resource for trade. The restaurant Salzamt, the salt office, is built on the spot where the salt that was delivered on the river Danube would be taxed. Karoline Dausien, Julia Goodman, Erik Haugsby, and Laurence Sturla kindly provided works for the first stage of Saliera. The festival will continue until all the tables may be taken up by eaters again.

Julian Turner