Archive 2021 KubaParis

IN A DEAD HEAT FOR COLD CASH AND BUXOM BABES

Ketuta Alexi-Meskhishvili How to photograph leaves, 2018 Archival pigment print Edition(2) of 2 + 2 AP 101,5 x 82 cm
Ketuta Alexi-Meskhishvili How to photograph leaves, 2018 Archival pigment print Edition(2) of 2 + 2 AP 101,5 x 82 cm
Natascha Goldenberg The Balconator: Coo Coo, 2021 Wood, modelling paste, wall paint, stuffed pigeon 47 x 29 x 25 cm
Natascha Goldenberg The Balconator: Coo Coo, 2021 Wood, modelling paste, wall paint, stuffed pigeon 47 x 29 x 25 cm
Oliver Helbig o.T. (drive), 2015 C-print, mdf, aluminum, glass Edition of 3 + 2 AP 84,5 x 59 cm
Oliver Helbig o.T. (drive), 2015 C-print, mdf, aluminum, glass Edition of 3 + 2 AP 84,5 x 59 cm
Cyprien Gaillard Bench, 2020 Amaranth wood, painted steel 44,5 x 30 x 244 cm
Cyprien Gaillard Bench, 2020 Amaranth wood, painted steel 44,5 x 30 x 244 cm

Location

Angela Mewes

Date

03.06 –30.07.2021

Curator

Angela Mewes

Photography

Angela Mewes

Subheadline

Ketuta Alexi-Meskhishvili Cyprien Gaillard Natascha Goldenberg Oliver Helbig Uğur Özbay Roman Signer until 31st of July 2021 by appointment The pandemic sharply brings our direct surroundings into focus. In front of Woolworth, on the corner of Potsdamer Strasse and Kurfürstenstrasse, there is a sculpture by Uğur Özbay (1958 – 2016) in public space. This granite bench (Kleiderbank, 2007) by Uğur Özbay can be seen from the oriel window of the apartment. The exhibition IN A DEAD HEAT FOR COLD CASH AND BUXOM BABES shows two sculptures from the artist’s estate. This visible spatial link between the exhibited works and the public artwork outside opens a dialogue between interior and exterior. The title of the group exhibition refers to the area, which is known for drug deals and prostitution. Funded by Stiftung Kunstfonds Neustart Kultur.